In her artistic work, Jinran Ha uses everyday objects characterized by their uniformity and industrial production. In her stagings, Ha initiates a formal game through the accumulation of such products, wherein the objects lose their conventional function and uniformity and seem to develop a life of their own. Processes of change in form and arrangement create associations with political and social topoi such as solidarity, conformity and individuality, collective and individual. Has's works thus raise questions about the relationship between the individual and society, the definition of these units, and the potential change in this relationship system.
